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Reconciliation Place Canberra Australia
Vic McGrath's Methalu Tharri (Smooth Sailing) takes its inspiration from the sails and mast of a traditional Torres Strait Islands canoe just landed on a beach. The artwork reflects the idea that all Australians share their experiences under the same stars Reconciliation Place Canberra ACT Australia More Info
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Reconciliation Place Canberra Australia
Vic McGrath's Methalu Tharri (Smooth Sailing) takes its inspiration from the sails and mast of a traditional Torres Strait Islands canoe just landed on a beach. The artwork reflects the idea that all Australians share their experiences under the same stars Reconciliation Place Canberra ACT Australia More Info
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Reconciliation Place Canberra Australia
Vic McGrath's Methalu Tharri (Smooth Sailing) takes its inspiration from the sails and mast of a traditional Torres Strait Islands canoe just landed on a beach. The artwork reflects the idea that all Australians share their experiences under the same stars Reconciliation Place Canberra ACT Australia More Info
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Reconciliation Place Canberra Australia
Judy Watson's fire and water is a sensorial journey which begins at the hearthstone, passes between the bower, to rest on and listen to the sounds of the gathering stone, and continues among the sinuous lines of reeds toward the misting pool, where fine sprays of cooling water cleanse and refresh. Reconciliation Place in front of the National Library of Australia building Canberra ACT Australia More Info
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Reconciliation Place Canberra Australia
Judy Watson's fire and water is a sensorial journey which begins at the hearthstone, passes between the bower, to rest on and listen to the sounds of the gathering stone, and continues among the sinuous lines of reeds toward the misting pool, where fine sprays of cooling water cleanse and refresh. Reconciliation Place in front of the National Library of Australia building Canberra ACT Australia More Info
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Reconciliation Place Canberra Australia
Judy Watson's fire and water is a sensorial journey which begins at the hearthstone, passes between the bower, to rest on and listen to the sounds of the gathering stone, and continues among the sinuous lines of reeds toward the misting pool, where fine sprays of cooling water cleanse and refresh. Reconciliation Place in front of the National Library of Australia building Canberra ACT Australia More Info
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Reconciliation Place Canberra Australia
Judy Watson's fire and water is a sensorial journey which begins at the hearthstone, passes between the bower, to rest on and listen to the sounds of the gathering stone, and continues among the sinuous lines of reeds toward the misting pool, where fine sprays of cooling water cleanse and refresh. Reconciliation Place in front of the National Library of Australia building Canberra ACT Australia More Info
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Reconciliation Place Canberra Australia
Judy Watson's fire and water is a sensorial journey which begins at the hearthstone, passes between the bower, to rest on and listen to the sounds of the gathering stone, and continues among the sinuous lines of reeds toward the misting pool, where fine sprays of cooling water cleanse and refresh.Canberra ACT Australia More Info
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Reconciliation Place Canberra Australia
Artist Thanakupi (Thancoupie Gloria Fletcher) Kwi'ith, Man and Woman Yam is a response to the theme of Indigenous art within the context of Reconciliation. This artwork explores the simple yet powerful themes pivotal to the notion of Reconciliation: communication, notions of sharing and a sense of harmony between all people. The long yam and the cheeky yam featured in the work represent man and woman. Reconcilation Place Canberra ACT Australia More Info
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Reconciliation Place Canberra Australia
In August 1966, Vincent Lingiari, a Gurindji spokesman, led a walk-off of 200 Aboriginal stockmen, house servants, and their families from Wave Hill as a protest against the work and pay conditions. Eventually this led to the handing back of Wave Hill station to its traditional owners and formed the backbone of aboriginal land rights into the future. More Info
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Reconciliation Place Canberra Australia
Three cast bronze slivers create the focus of the Women Artwork. The concave etched copper surface of each sliver presents a biographical sketch of Dr Faith Bandler, Lady Jessie Street and Dr Evelyn Scott. The artwork serves to remind us of the determination of these women and their collective contribution to Reconciliation in Australia, including through their roles in the 1967 Referendum.Reconciliation Place Canberra ACT Australia More Info
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Reconciliation Place Canberra Australia
This artwork incorporates extracts from seminal legal cases on land rights. Terra Nullius (no one’s land) and Terra Aborigium (Aboriginal land) represent the position of native title in Australia before and after the High Court decision in Mabo v Queensland (No.2) (1992). Etched onto glass a map of Meriam Mer (Murray Island – located in the Torres Strait), overlays an image of three plaintiffs in that case: Edward Koiki Mabo, Reverend David Passi and James Rice, and one of their counsel, Bryan Keon-Cohen. Recessed within the artwork is a representation of varying Australian landscapes by Indigenous artist Karen Casey. A thumbprint etched into the stainless steel symbolises the custodial role of Indigenous Australians. On the other side of the artwork are the elements of Country – water, earth and life. Reconcilation Place Canberra ACT Australia More Info
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Red Bellied Black Snake
The Red-bellied Black Snake, Pseudechis porphyriacus, is a venomous species of elapid snake native to eastern Australia. Though its venom is capable of causing significant morbidity, it is not generally fatal and less venomous than other deadly Australian snakes. It is common in woodlands, forests and swamplands of eastern Australia. It is one of Australia's best known snakes, as it is common in urban areas along the eastern coast of Australia. More Info
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