"Cones" National Gallery of Australia
Herbert 'Bert' Flugelman (born 1923) is a prominent Australian visual artist who has had many of his works publicly displayed. He is known for his stainless steel geometric sculptures.Canberra Australia More Info
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Cones National Gallery of Australia
Herbert 'Bert' Flugelman (born 1923) is a prominent Australian visual artist who has had many of his works publicly displayed. He is known for his stainless steel geometric sculptures.Canberra Australia More Info
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Heads from the North – Dadang Christanto
In the Marsh Pond (part of the sculpture garden) is a powerful work by Dadang Christanto, an Indonesian artist based in Darwin.Dadang makes work against a backdrop of 1960s army-sponsored terror and murder in Indonesia, during which his father was killed. There’s memory of personal and collective trauma driving this; it makes for real and uncompromising work. National Art Gallery Canberra Australia More Info
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Heads from the North – Dadang Christanto
In the Marsh Pond (part of the sculpture garden) is a powerful work by Dadang Christanto, an Indonesian artist based in Darwin.Dadang makes work against a backdrop of 1960s army-sponsored terror and murder in Indonesia, during which his father was killed. There’s memory of personal and collective trauma driving this; it makes for real and uncompromising work. National Art Gallery Canberra Australia More Info
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Heads from the North – Dadang Christanto
In the Marsh Pond (part of the sculpture garden) is a powerful work by Dadang Christanto, an Indonesian artist based in Darwin.Dadang makes work against a backdrop of 1960s army-sponsored terror and murder in Indonesia, during which his father was killed. There’s memory of personal and collective trauma driving this; it makes for real and uncompromising work. National Art Gallery Canberra Australia More Info
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Heads from the North – Dadang Christanto
In the Marsh Pond (part of the sculpture garden) is a powerful work by Dadang Christanto, an Indonesian artist based in Darwin.Dadang makes work against a backdrop of 1960s army-sponsored terror and murder in Indonesia, during which his father was killed. There’s memory of personal and collective trauma driving this; it makes for real and uncompromising work. National Art Gallery Canberra Australia More Info
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Heads from the North – Dadang Christanto
In the Marsh Pond (part of the sculpture garden) is a powerful work by Dadang Christanto, an Indonesian artist based in Darwin.Dadang makes work against a backdrop of 1960s army-sponsored terror and murder in Indonesia, during which his father was killed. There’s memory of personal and collective trauma driving this; it makes for real and uncompromising work. National Art Gallery Canberra Australia More Info
Sorry, you have entered an invalid value !
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Heads from the North – Dadang Christanto
In the Marsh Pond (part of the sculpture garden) is a powerful work by Dadang Christanto, an Indonesian artist based in Darwin.Dadang makes work against a backdrop of 1960s army-sponsored terror and murder in Indonesia, during which his father was killed. There’s memory of personal and collective trauma driving this; it makes for real and uncompromising work. National Art Gallery Canberra Australia More Info
Sorry, you have entered an invalid value !
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Heads from the North – Dadang Christanto
In the Marsh Pond (part of the sculpture garden) is a powerful work by Dadang Christanto, an Indonesian artist based in Darwin.Dadang makes work against a backdrop of 1960s army-sponsored terror and murder in Indonesia, during which his father was killed. There’s memory of personal and collective trauma driving this; it makes for real and uncompromising work. National Art Gallery Canberra Australia More Info
Sorry, you have entered an invalid value !
|
Heads from the North – Dadang Christanto
In the Marsh Pond (part of the sculpture garden) is a powerful work by Dadang Christanto, an Indonesian artist based in Darwin.Dadang makes work against a backdrop of 1960s army-sponsored terror and murder in Indonesia, during which his father was killed. There’s memory of personal and collective trauma driving this; it makes for real and uncompromising work. National Art Gallery Canberra Australia More Info
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